Markus Suckut
Exciting stories without big words
When you tell a story you explain something which has engaged you, something which has moved you. Telling good stories is certainly not easy, particularly if you don’t use words. Just like a good DJ set, storytelling is all about creating an arc, putting listeners under a spell and giving the feeling that this story doesn’t have to come to an end. Telling a story with these attributes without using words? How it’s possible is demonstrated by DJ and producer Markus Suckut.
Markus’ own musical history began in 1999, at the brink of the new millennium an interest in electronic music was awakened in the young, Germany-based Markus. At the time it was less about committing to one musical direction, than about the excitement of DJing and testing sonic limits. Carried along by the excitement of these inital impressions Markus began to teach himself to mix and within a few short years his first productions followed.
It’s hard to categorise someone who himself detests thinking about music in narrow-minded categories and who takes influence from many different styles of music. His own productions are best described plainly and simply with the word techno, techno which often and willingly becomes dub. His sets are wide reaching, and even if they have a common basis it’s difficult to describe what exactly they have in common. Perhaps it is soul, a bit of dreaminess and a tendency towards melancholy that best characterise Markus and his music.
Good things take time. A good story can’t be told in passing; accordingly Markus Suckut can be seen as one of the most vocal opponents of short sets, and of a club culture where the next DJ jostles impatiently in the booth waiting impatiently for the start of their own set. To play in his own style, leading the crowd and casting a spell over it, delighting listeners with records selections that go beyond the remit of any kind of DJ charts, this is his world. And in the company of someone who loves to listen to elaborate stories, who detects subtlety while simultaneously appreciating current trends, the listener is in very good hands with both his productions and his sets. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
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